8/16/2023 0 Comments For frodo lyrics lotrOld Forest: Īnother character whose identity shifts in his woodland journeys is Frodo in The Fellowship of the Ring. As he leaves the woods, Orfeo alters his beggarly identity, assuming the identity of travelling minstrel offering service to the king in order to gain entrance to the mysterious castle.įinally, after Orfeo rescues his wife and exits the metaphorical woods of testing his steward’s loyalty, he reassumes his kingly identity, bringing his kingdom back to the joy of former days. The author emphasizes this shift in Orfeo’s identity with four striking comparisons between his kingly identity and his new beggarly identity (241-56):Īt the end of ten years, Orfeo finally sees his wife again, and, in following her party, leaves the wooded wilderness and enters “a country fair / as bright as sun in summer air” ( Sir Orfeo 351-2). He effectually leaves behind his kingly identity, retaining only his identity as a musician. In Sir Orfeo, after his wife is taken, grief-stricken Orfeo forsakes his kingdom and enters the wooded wilderness with nothing but a beggar’s cloak and his harp. This is particularly evident in Sir Orfeo, an anonymous Middle English text, and J.R.R. Perhaps more interesting than the adventures that occur within the woods, however, is the way entering and exiting the woods tend to mark significant turning points in the characters’ identities. The idea that woods are a place of fantastic adventures is a common theme in both medieval and modern works. ![]() Though the wordplay is comical, their concern is real, and not altogether unmerited. The high strings of a 12-string set are strung on a 6-string guitar resulting in a bright sound.The Prologue of Stephen Sondheim and James Lapine’s musical Into the Woods ends with a dramatic, “Into the woods and out of the woods and home before dark!” as the characters make a determined effort to convince themselves that “the woods are just trees, the trees are just wood,” and that there is nothing to be afraid of in the woods. Guitar plays the same role in the Shire music as the mandolin, but it enters in more sprightly passages, using a highstring tuning. Listening Example: Disc One | Track Three | 2:58 Howard Shore wrote a handful of musette lines to provide harmonic accompaniment to the Shire theme’s Rural Setting. The musette is a small, diatonic, accordion-like instrument consisting of a keyboard affixed to bellows. ![]() Listening Example: Disc One | Track Three | 1:11 Originally carved from bone, today’s whistles are generally made of wood or metal. ![]() The Irish whistle (also known as the penny whistle, vertical flute, flagolet, stáin or feadóg) may be the oldest instrument in Celtic music. Listening Example: Disc One | Track Three | 0:00 But as the hobbits depart the Shire and adventure their way through Middle-earth, these Celtic sounds continually make their way into the edges of the orchestra as a reminder of what the Shire folk have left behind. The Hobbit/Shire theme’s Rural Setting is most closely connected to these signature hobbit instruments. “He’s looking at Frodo leaving and getting dreamy about it all, so you hear this bucolic setting-a slower version of the Shire,” says Shore. The Outline and Two-Step figures bumptiously usher Frodo and Gandalf about town until the two reflect upon the Wizard’s return. Shore drums obsessively through building phrases of the Hobbit Skip Beat figure, but the trinket is found, and all is well in the Shire. “Here Frodo is giving a little history,” says the composer, “so I just paced it with the pizzicato Outline Figure.”īack in Bag End, Bilbo, in a moment of paranoid tension, believes he’s lost his beloved magic ring. As Gandalf and Frodo struggle to suppress their smiles, Shore’s jocund Hobbit Outline figure begins. Though Shore provides orchestral support with a few glowing string chords, the melody comes from Fran Walsh, and the lyric ( see The Road Goes Ever On), from J.R.R. Gandalf’s cart pulls up the road as the grey Wizard gently sings to himself. It had a nice peaceful sound to it, simple and not too orchestral.” While Frodo reads beneath a shady tree, the whistle makes its first appearance, revealing the hobbits’ serene internal life-a quality upon which Middle-earth will soon rely. Music composed by Fran Walsh, Lyrics by J.R.R. ![]() Featuring The Road Goes Ever On performed by Ian McKellen.
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